After doing drawings and paintings for over 40 years, I sometimes wish I could remember how I did something that I find in my archive art bin! Sometimes it is to see if I can avoid what is a really bad effort and sometimes it’s because I really like what I drew or painted. Often I have no recollection of the steps I took to create the art! Anyway, with my current drawings I am really enjoying doing these blog posts and work-in-progress videos on my YouTube Channel so I can look back and remember what steps I took to complete a drawing. This is a drawing I did of my granddaughter Ava for her room. She is SUCH a sweetheart and the photo really captures her. As you can see on my last post of the portrait of Hurley, I have recently taken a course by Darrell Tank at fivepencilmethod.com in which he teaches realistic graphite pencil drawing using only five pencils – 4H, 2H, HB, 2B and 4B. It is a great course and I highly recommend it if you want to learn a very systematic and consistent approach to your drawing. While this drawing is by no means the best representation of his course or methods, I am pleased that it captured Ava so “gracefully!” The 2 1/2 minute speed drawing below represents about 7 – 8 hours of drawing time.
I hope this process is helpful to you. Here is the time-lapse video of the drawing.
Here roughly are are the steps I took that you’ll see in the video ( the layout method by Darrell Tank is different and quite accurate and doesn’t rely on step 1) – links to the products I used are highlighted in green and link to Amazon.com :
- I printed an enlarged copy of the image on 9″x12″ paper using my HP 7610 printer (large format) on 11″x17″ copy paper using a backer sheet of graphite paper (not charcoal or carbon paper) to transfer a rough sketch of Ava’s features to Strathmore 400 2ply Bristol Vellum paper. This works great with a standard printer at 8″x10″ size too.
- I work exclusively at the start with 4H and 2H pencils (I use Caran d’Ache Grafwood pencils) to bring much of the drawing to life using a light touch. During this phase I check the original drawing using a set of easily adjusted Alvin 6″ dividers (not the type with the wheel adjustment).
- Increase dark areas with HB pencils gradually reinforcing the deepest tones.
- Use a kneaded eraser to lift highlights. Crosshatch larger areas and then use the Princeton Brush Bright #10 paint brush to blend and create a soft skin texture. Use a Langnickel 2″ Camel hair brush to soften features and hair and to keep the drawing clean.
- Continue to deepen the darks with 2B and 4B pencils (very lightly especially on 4B – used only for the darkest darks!)
- Use the Tombow Mono hand held eraser to create dynamic highlights and hair details.
- Continue to work back and forth between darks and lights, refining the image until completion.
Here is the finished drawing: